Clint Eastwood Iwo Jima
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After bringing the story of the American soldiers who fought in the battle of Iwo Jima to the screen in his film Flags of Our Fathers, Clint Eastwood offers an.
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Letters From Iwo Jima English
US Contributions are tax deductible. We are grateful to our supporters at all levels. If you missed the chance to contribute and wish to there's still time. Free security video enhancement software. By Paypal or credit card at our home page under. From Flags of Our Fathers to Letters From Iwo Jima: Clint Eastwood’s Balancing of Japanese and American Perspectives By Aaron Gerow History, like the cinema, can often be a matter of perspective. That’s why Clint Eastwood’s decision to narrate the Battle of Iwo Jima from both the American and the Japanese point of view is not really new; it had been done before in Tora Tora Tora (1970), for instance.
Letters From Iwo Jima Dvd
But by dividing these perspectives in different films directed at Japanese and international audiences, Eastwood makes history not merely an issue of which side you are on, but of how to look at history itself. Flags of Our Fathers, the American version, is less about the battle than the memory of war, focusing in particular on how nations compulsively create heroes when they need them (like with the soldiers who raised the flag on Iwo Jima) and forget them later when they don’t. Instead of giving the national narrative of bravery in capturing Iwo Jima, the film shows how such stories are manufactured by media and governments to further the aims of the country, whatever may be the truth or the feelings of the individual soldiers. Against the constructed nature of public heroism, Eastwood poses the private real bonds between men; against public memory he focuses on personal trauma. The Japanese edition, Letters from Iwo Jima, could—and perhaps should—have been about similar issues, but Eastwood changes his approach to history itself with this film.
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